Simplest logic defies the wind developers and their political supporters.
The Wind in the Willows (Kenneth Grahame) has been a childhood favourite for more than a century. The exploits of Toad, Rat, Mole and the elusive but respected Mr Badger, stand as an allegory of what is deemed worthy in the British concept of character, and their understanding of what constitutes good and bad manners.
Toad, as master of Toad Hall, entertains a number of self-destructive but fleeting obsessions, including boating and caravanning, which brings him into conflict with his long-suffering friends, Rat and Mole; and, eventually, the law.
It is the sober Mr Badger who is enlisted to help rein in Toad’s natural excesses: Mr Badger is horrified to learn that Toad has crashed no less than seven motorcars, has been hospitalised three times and has racked up a fortune in fines for his reckless motoring escapades.
Leading the charge, Mr Badger attempts to instill some commonsense and moral…
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